autumn autumn autumn pt 6 million

Cinder and smoke
the wind curls around the trees
the juniper bends
as if it were listening

I eat wind like hot honey. My sisters are writing about their season, our season: colors turning like flames, russet, gold, a brown sweeter than any boy’s eyes… I could dance naked in falling leaves, warmed by the trees with their crinkling summer coat, burning breathing what we wrote, high on pine needles beneath my feet. Folk singer’s guitar blends into itself, the same sadness: a city Fall is only smog, fog and peacoats and romance like cigarettes. I’m longing for bonfires the way I used to long for boys, heavy drums that rattle my ribs, to let autumn winds lift my feet off the ground and the night’s breathe move me like the top of a cedar…

Cinder and smoke
you ask me to pray for rain
with ash in your mouth
you’ll ask it to burn again…

Tonight we followed the ghost drums: out the dorm window, down yellow lit walks, past the empty auditorium, doors open, curtains dark… I’ve never noticed the way it is never night here, the way streetlights show the trees: ominous, unnatural wood mountains amidst steel and concrete… The sky is a strange composite, like me, of city and wild—there may be few stars, but you can’t take away that velvet blue, a soft inviting darkness, not the shadows of the tree against the sky, or the way every sound breaks loud and drifts up only to be lost in the void. But there’s still that everpresent streetlamp or car, everything lit from below, an amber darkening…

We found the drums in a gym, along with a vocalist and small ensemble of dancers. By day I would have mistaken any of them for a half-urban punk or another indie-jock… But here they were one, something both different and deeply primal. There was a man holding a bongolike drum, and a vocalist wailing Arabic or Farsi or some other language I must learn simply because of its age… And along with them, four men: jumping, clapping, dancing, all in time, the hypnotic tattoo punctuated by ay ay ays, their movements free and synced and amazing. I’ve come a long way in my poetry, but never enough to describe music… And this: this was bonfire music, nighdark barefoot, wailing and godsex and a people and war and a fierce, fierce joy. I don’t know if it had anything to do with Ramadan, or perhaps an Indian holiday? I know that I was the only woman there, without color, and that all I wanted to do was jump out of my skin, my bones singing like antennae and cattails and violin strings, how I’ve missed drums and rhythm….

Cinder and smoke
The snake in the basement found
The juniper shade
The farmhouse is burning down

So, this is our season, sister lovers... First Virgo, the grounding and the harvest, then Libra, the balance and thanksgiving, then Scorpio, the death, the birth, the reflection we take after the ghosts drift up, trying to remember themselves. Autumn makes me sing, to fly into winterdeath like a war eagle and come out in spring: on fire, to burn and go down in flames the next time the grasses dry.

In this city I dream of a cottage in green, to make good potions and cast circles and runes, to walk the woods barefoot in love. I sleep naked to feel skin on skin, that burning. I read the Wiccan Rede 13 times just for the rhyme and ancientness of it, ask the cedar tree to remember its home and maybe give me a little taste of those mountains, there’s a bonfire burning in my heart and blood is the drum. My lover and I circle it, high on the bone beat, madly in lust with everything that’s bright; I know them from somewhere long ago and ahead… We dance around this earthen star, heady with the balance and the change, building up the flame… For when others settle down to sleep we dance, we burn with winter and awaken the fire in the pines, the heart, the pen...

photo courtesy of http://www.albertdirectory.net 2001 photo contest - "winter fire stand"
song from sam beam's/iron&wine "cinder and smoke"

Paths and Standards (whilst chanelling Pinkola Estes)

I will not brush my hair for you. I will not pull these haphazard waves into a smoothshiny sleekness, I will not put my mane under wraps. I will not press a pillow over the face of my hips and thighs so that I sway to your liking, will not take down the talk for you, will not wear heels to make my ass and back tight for you, I will not unfurrow my brow or unarrow my eyes or sheath my claws: I will not do anything that you wouldn’t do for me.

City-living is far more like a jungle than I’ve realized—I’m learning when to keep my shades on, when to look him in the eyes, when to run, to stride back…. Whether to judge a man by his gender or to trust, or to keep my head bent forward like he isn’t there. It’s like I’ve been walking this line all my life, blind, and now my eyes are open: when to turn on the impassivity, the knowledge of whom I can’t pin to the ground, that I have just as much right to be here—this dorm floor, this sidewalk, this classroom, this dark street—as you do. When to open those buffalo eyes their way, to open up enough that divine light can stretch from my eyes to theirs, like morning glory vines, the way smoke longs for the heights of the sky. When to defend and when to heal. Can you do both at once? Yes, yes, you must, something tells me. The same thing that tells me what girl has got her claws sheathed, when to go to bed, whether the shadow in my room is from moonlight or something far darker.
Something drew me to this city—instinct, my gut, my third eye seeing the poverty and injustice that lies wherever there concrete and cars outnumber life forms. The city that ties it’s Monterrey Oaks to stand upright, the city that just now finds it’s community gardens full of mercury and lead. The city that is the stage for immigrant rallies and Ginsberg and revolution…I know my calling is here, but what for, exactly? And how long? How long before my heart calls me back to the hills, to the sharpness of ground and true prairie-gold winds?
I’m not saying I don’t love it here—I’m walking my path, but I know it’s not the only path I could take. My life’s work, in my mind, was always a specific scientific computation: take path that offers maximum help to maximum people. Now, now it is more complicated: Where, exactly? Low-income housing? Veggielution? Immigrant education? Health education? Women’s rights? Advocate for battered women? I don’t know, I don’t really have a set of interests, except in the LBGT area… Social work has so many opportunities that the only way I’ll know is if I work in every one of them.

And then there are men. Oh, men, oh, boys. Boys make me forget my wild-womaness, my night-eyesight and my integrity. Boys make me want to frolic and laugh and forget, but I can’t: the lake of my soul reaches to earth’s corners, I get my fire from her roiling depths, so how can I forget her call? The boy-men here, I want them, but get to close and they scare me into running, fleeing without my claws and big-toothed-grace, tripping over roots in the night…. Alone, night, again.

But somethought bubbles up, lapping at the shore in waves: need, want, need, want, the three layers of myself: the lake, the trees, the sky. Water sinks as low as it can, as close as it can, seeps into earth like a lover; and sky, the wind of the mind flows confident as a stream, but the trees in between? My soul is in the earth and I cherish her like a lover, and my self, well, I love it too and am confident in my own being, but isn’t there something… closer? Something between self-love and earth-love? That missing piece sings in the trees a lonely song, the way redwoods do when their roots find nothing to cling to. There are only boy-men here, nothing substantive, but still my nose twitches and I find myself hunting, falling, forgetting… Cycle cycle spiral, samsara, great wheel, big red road…

My footprints sing my four directions song, my uncut mane whispers which way the wind blows, which turn is the instinct of my heart and my lust longs for her other and the horizon is but a haze, I can do nothing but follow that call…